1 00:02:18,700 --> 00:02:19,740 Pascal! 2 00:02:21,540 --> 00:02:22,700 Who is there? 3 00:02:23,260 --> 00:02:24,980 It's me, Christine. 4 00:02:28,420 --> 00:02:29,380 What is there? 5 00:02:29,620 --> 00:02:32,380 I'm leaving. I have class at 8:30. 6 00:02:35,020 --> 00:02:36,180 Good course. 7 00:02:37,220 --> 00:02:38,620 Don't you get up? 8 00:02:39,820 --> 00:02:41,260 I don't have any classes. 9 00:02:41,780 --> 00:02:43,220 But you have to work. 10 00:02:44,700 --> 00:02:45,660 For what ? 11 00:02:45,820 --> 00:02:48,100 To finish your master's thesis. 12 00:02:50,260 --> 00:02:51,380 For what ? 13 00:02:51,580 --> 00:02:53,780 Don't you want to start living? 14 00:02:57,380 --> 00:02:58,820 I am already alive. 15 00:02:59,660 --> 00:03:00,980 I try to take advantage of it. 16 00:03:01,380 --> 00:03:03,820 Do you think this amuses me, what am I doing? 17 00:03:04,580 --> 00:03:05,540 What are you doing ? 18 00:03:06,020 --> 00:03:08,980 You know it very well. I'm preparing for the philosophy exam. 19 00:03:09,420 --> 00:03:10,380 Ah, that. 20 00:03:11,260 --> 00:03:13,780 I hope this amuse you, considering the time you spend there. 21 00:03:13,980 --> 00:03:15,540 I think about the future. 22 00:03:17,100 --> 00:03:20,220 I believe I can live my life without having completed a master's degree 23 00:03:20,380 --> 00:03:23,180 on transcendence materialist in André Breton. 24 00:03:23,540 --> 00:03:25,180 Take responsibility for your choice. 25 00:03:25,660 --> 00:03:26,980 I didn't choose anything. 26 00:03:28,020 --> 00:03:29,700 It was the teacher who imposed it on me. 27 00:03:30,580 --> 00:03:32,100 I don't even know what it is. 28 00:03:32,300 --> 00:03:34,820 2 years on, and you don't know what it is? 29 00:03:35,420 --> 00:03:36,540 No. 30 00:03:39,820 --> 00:03:41,500 And I will never know. 31 00:03:42,180 --> 00:03:44,260 It's not worth it to wake up. 32 00:03:45,100 --> 00:03:47,100 You really are a funny guy. 33 00:04:00,100 --> 00:04:01,700 I'm going to do my voice. 34 00:04:02,260 --> 00:04:03,540 So early? 35 00:04:04,260 --> 00:04:05,540 We rehearse at 10 a.m. 36 00:04:06,180 --> 00:04:09,820 The Unnamable does the rehearsals early to make us suffer. 37 00:04:11,460 --> 00:04:12,700 “The Unspeakable”? 38 00:04:13,180 --> 00:04:14,540 Our leader. 39 00:04:15,380 --> 00:04:16,940 Are you the one who calls it that? 40 00:04:17,820 --> 00:04:19,420 I'm not the only one. 41 00:04:20,820 --> 00:04:22,100 We can go out this evening. 42 00:04:22,900 --> 00:04:24,140 Yes. 43 00:04:24,300 --> 00:04:25,620 Have a nice day, Manuel. 44 00:04:26,220 --> 00:04:27,540 See you tonight, Sarah. 45 00:04:28,140 --> 00:04:29,380 I love you. 46 00:05:09,740 --> 00:05:11,980 It wasn't planned, that you spend this evening. 47 00:05:14,260 --> 00:05:16,260 I'm glad you're here. 48 00:05:32,860 --> 00:05:35,260 Why didn't you tell me that you were coming? 49 00:05:35,420 --> 00:05:37,540 I thought you would be there. 50 00:05:39,140 --> 00:05:40,140 For what ? 51 00:05:40,700 --> 00:05:42,500 You have work to do. 52 00:05:44,420 --> 00:05:46,100 I do what I like. 53 00:05:46,820 --> 00:05:48,220 What, for example? 54 00:05:50,020 --> 00:05:52,140 I walk, I read. 55 00:05:52,980 --> 00:05:55,540 Related things with your mastery? 56 00:05:56,900 --> 00:05:57,860 No. 57 00:05:58,460 --> 00:06:01,260 You don't even fully explored your corpus. 58 00:06:02,540 --> 00:06:05,100 I haven't fully explored my body. 59 00:06:14,820 --> 00:06:16,420 I love you, Christine. 60 00:06:16,580 --> 00:06:18,540 You're fading away, Pascal. 61 00:06:20,860 --> 00:06:22,260 What are you reading? 62 00:06:24,420 --> 00:06:25,980 Heidegger. 63 00:06:26,140 --> 00:06:27,420 It's good ? 64 00:06:27,580 --> 00:06:29,260 Don't be vulgar. 65 00:06:29,860 --> 00:06:31,700 I don't think I'm vulgar. 66 00:06:37,180 --> 00:06:38,420 I love you. 67 00:06:39,060 --> 00:06:40,700 Go to bed. 68 00:06:40,860 --> 00:06:42,780 I have to finish my chapter. 69 00:07:22,420 --> 00:07:24,420 It was a nice evening. 70 00:07:32,780 --> 00:07:34,580 - Tired? - A little. 71 00:07:36,380 --> 00:07:39,300 - Are you working tomorrow? - Yes. At 10 a.m. 72 00:07:40,260 --> 00:07:42,980 Isn't it painful, for the Unnamable, so soon? 73 00:07:43,140 --> 00:07:45,260 No. He is a very healthy man, 74 00:07:45,420 --> 00:07:47,580 who goes to bed and gets up with the sun. 75 00:07:49,540 --> 00:07:52,420 You work early too and you never complain. 76 00:07:53,900 --> 00:07:56,100 For a computer scientist, this is normal. 77 00:07:56,860 --> 00:07:59,380 You, you are not a normal computer scientist. 78 00:08:00,420 --> 00:08:01,380 Yes. 79 00:08:02,620 --> 00:08:03,700 Yes. 80 00:08:08,380 --> 00:08:09,980 Let's not delay to go to bed. 81 00:08:11,580 --> 00:08:13,860 I want to look a little my scores. 82 00:08:14,940 --> 00:08:16,940 What are you working on at the moment? 83 00:08:17,060 --> 00:08:18,660 From Monteverdi. 84 00:08:19,460 --> 00:08:20,820 And is it good? 85 00:08:20,980 --> 00:08:23,820 There is nothing more beautiful, but it's difficult. 86 00:08:23,940 --> 00:08:25,740 Nobody sings like you. 87 00:08:26,420 --> 00:08:28,980 The Unnamable doesn't stop to tell me otherwise. 88 00:08:29,860 --> 00:08:31,580 He's a moron. 89 00:08:31,780 --> 00:08:35,140 Worse than a moron, he's someone deeply wicked. 90 00:08:37,460 --> 00:08:39,100 You should go to bed. 91 00:08:40,060 --> 00:08:42,700 Yes, maybe so. 92 00:08:53,700 --> 00:08:54,980 Good night. 93 00:08:55,580 --> 00:08:56,900 Good night. 94 00:09:06,500 --> 00:09:10,620 Jacques Vaché was the most sublime of the surrealists. 95 00:09:11,660 --> 00:09:14,300 Even, I dare say it, 96 00:09:14,420 --> 00:09:17,420 the most sublime writers of our century. 97 00:09:18,380 --> 00:09:23,140 His unique voice was a cataract of silence. 98 00:09:23,300 --> 00:09:25,860 A detonation of silence 99 00:09:26,020 --> 00:09:28,020 who shook the world. 100 00:09:30,020 --> 00:09:32,980 How can we talk about this brilliant silence? 101 00:09:33,140 --> 00:09:37,140 How to celebrate it, if not by keeping quiet? 102 00:09:39,940 --> 00:09:43,740 I dare to face the colossal silence by Jacques Vaché 103 00:09:44,620 --> 00:09:47,020 by the only appropriate language. 104 00:11:11,860 --> 00:11:14,300 They exist to make someone happy. 105 00:11:14,420 --> 00:11:15,700 Do you believe? 106 00:11:19,900 --> 00:11:21,140 Here, Michel. 107 00:11:22,780 --> 00:11:24,300 I discovered this. 108 00:11:24,420 --> 00:11:26,860 Michelangelo, the artist, wrote poems. 109 00:11:27,020 --> 00:11:28,300 Yes, it's well known. 110 00:11:28,460 --> 00:11:32,020 The intellectuals blame him to be an artist, 111 00:11:32,180 --> 00:11:33,860 feminists, for having loved a guy, 112 00:11:33,980 --> 00:11:36,020 and gays, for having been chaste. 113 00:11:36,860 --> 00:11:40,300 If he only has intellectuals against him, feminists and gays, it’s still okay. 114 00:11:40,460 --> 00:11:42,860 You know, in France, it's quite a lot of people. 115 00:11:44,620 --> 00:11:45,700 Listen. 116 00:11:46,260 --> 00:11:48,020 It's just the translation. 117 00:11:50,460 --> 00:11:53,460 "With you in my heart I love myself 118 00:11:54,340 --> 00:11:57,460 "Much more than I love myself And worth more than me 119 00:11:58,620 --> 00:12:01,420 "Like the block That a scissor disfigures 120 00:12:02,300 --> 00:12:05,220 "Is a more precious good That the whole rock 121 00:12:07,140 --> 00:12:10,300 "The written or painted page Is more focused on the eyes 122 00:12:10,460 --> 00:12:13,020 "A crumpled or torn sheet 123 00:12:14,020 --> 00:12:16,940 "I receive everything Without any suffering 124 00:12:17,900 --> 00:12:21,020 "Since your face Elects in me its target 125 00:12:22,300 --> 00:12:25,900 "Your features engraved on me I go everywhere without fear 126 00:12:26,060 --> 00:12:28,860 "Like the one provided Of spells or weapons 127 00:12:28,980 --> 00:12:31,020 "Who make all dangers vain 128 00:12:32,140 --> 00:12:34,860 "I am armed by you Against water and fire 129 00:12:35,900 --> 00:12:38,580 "Your sign in me Makes me see the blind 130 00:12:39,580 --> 00:12:43,300 "My spit gives life Against all poisons" 131 00:12:44,860 --> 00:12:46,940 Current Neoplatonism, that is. 132 00:12:48,220 --> 00:12:50,180 For me, this is all new. 133 00:13:06,380 --> 00:13:09,060 O notte, o dolce tempo 134 00:13:09,220 --> 00:13:11,460 Benché black 135 00:13:11,620 --> 00:13:15,780 Con pace ogn' opra Seem to the end assalta 136 00:13:16,460 --> 00:13:20,020 Ben vede and ben intende Chi t’esalta 137 00:13:20,180 --> 00:13:23,940 E chi t'onor' ha l'intelletto intero 138 00:13:49,620 --> 00:13:50,740 What are you looking for? 139 00:13:50,860 --> 00:13:52,740 I have an alarm clock in my bag. 140 00:13:55,060 --> 00:13:57,580 I have to get up tomorrow morning at 6:30 a.m. 141 00:13:57,700 --> 00:13:58,740 And why? 142 00:13:59,460 --> 00:14:01,300 To revise my practice exam. 143 00:14:03,660 --> 00:14:05,220 No, don't blow out the candle. 144 00:14:06,180 --> 00:14:07,580 But why? 145 00:14:08,620 --> 00:14:10,100 I want to look at you. 146 00:14:10,260 --> 00:14:11,660 I have to sleep. 147 00:14:11,860 --> 00:14:13,940 A candle won't stop you to sleep. 148 00:15:06,020 --> 00:15:07,180 What are you doing there? 149 00:15:10,100 --> 00:15:11,500 I look. 150 00:15:12,180 --> 00:15:13,220 What ? 151 00:15:13,820 --> 00:15:14,900 Out. 152 00:15:27,100 --> 00:15:29,180 What is it, Sarah? 153 00:15:30,780 --> 00:15:32,340 I couldn't sleep. 154 00:15:35,300 --> 00:15:37,100 You've been sad lately. 155 00:15:37,900 --> 00:15:39,460 I ask myself questions. 156 00:15:41,660 --> 00:15:43,100 What kind of questions? 157 00:15:44,300 --> 00:15:46,740 About music and about me. 158 00:15:49,500 --> 00:15:51,100 Don't you want to be happy? 159 00:15:51,260 --> 00:15:52,820 What is “being happy”? 160 00:15:55,620 --> 00:15:57,340 To be together. 161 00:15:57,500 --> 00:15:58,620 Love us. 162 00:16:00,460 --> 00:16:02,260 Succeed everyone in our career. 163 00:16:03,020 --> 00:16:05,460 Have enough money so as not to think about it too much. 164 00:16:10,060 --> 00:16:11,340 Love us. 165 00:16:12,300 --> 00:16:14,980 Living together in a pleasant place which is ours. 166 00:16:15,900 --> 00:16:17,820 Living together with our children. 167 00:16:20,060 --> 00:16:21,780 Don't you want to have children? 168 00:16:22,980 --> 00:16:24,180 Yes. 169 00:18:17,220 --> 00:18:18,780 What is it, Cedric? 170 00:18:18,940 --> 00:18:20,700 Your minister has arrived. 171 00:18:20,860 --> 00:18:22,500 Should I bring him in? 172 00:18:22,660 --> 00:18:23,980 In a minute. 173 00:18:25,140 --> 00:18:26,340 Cedric. 174 00:18:28,340 --> 00:18:29,820 Make us some tea. 175 00:18:29,980 --> 00:18:31,540 I've already put the water to boil. 176 00:18:31,700 --> 00:18:33,500 You are an angel, my darling. 177 00:19:04,700 --> 00:19:06,420 My dear Juju! 178 00:19:06,580 --> 00:19:09,060 What a delight to see you again. 179 00:19:14,780 --> 00:19:17,900 Let's go outside, my dear. We will be better off there. 180 00:19:21,780 --> 00:19:25,300 Support from sensitive people and cultivated like you, Juju, 181 00:19:25,460 --> 00:19:27,100 is priceless for me. 182 00:19:27,260 --> 00:19:30,020 Little Cedric calls you "my minister". 183 00:19:31,340 --> 00:19:34,460 I am just a noble servant of the minister. 184 00:19:36,380 --> 00:19:39,180 Cédric is the young who let me in? 185 00:19:39,580 --> 00:19:41,060 Exactly. 186 00:19:41,260 --> 00:19:42,300 Who is it ? 187 00:19:43,300 --> 00:19:44,940 My manager. 188 00:19:45,140 --> 00:19:48,620 Your “manager”? Delicious, as an expression. 189 00:19:53,220 --> 00:19:55,540 Here is the young hero. 190 00:20:03,300 --> 00:20:04,500 I serve you. 191 00:20:05,340 --> 00:20:06,980 - Sugar? - Me ? No. 192 00:20:11,780 --> 00:20:14,140 It looks like you are a very talented boy. 193 00:20:26,060 --> 00:20:28,460 Go get a cup for yourself. 194 00:20:28,620 --> 00:20:31,660 - I don't want tea. - You're going to stay with us. 195 00:20:40,140 --> 00:20:43,420 Do you know the director Jean-Astolphe Méréville? 196 00:20:44,140 --> 00:20:45,420 No not at all. 197 00:20:45,860 --> 00:20:49,060 This is the genius of the baroque. Everyone agrees. 198 00:20:49,220 --> 00:20:52,340 At the ministry, we would like that he launches into the lyrical. 199 00:20:52,500 --> 00:20:56,820 He would stage Les Petites dramatic works of Monteverdi. 200 00:20:56,980 --> 00:20:59,700 "The Battle of Tancrede and Clorinda", that sort of thing. 201 00:21:01,340 --> 00:21:04,060 There is not yet as musical director. 202 00:21:05,180 --> 00:21:06,540 If this interests you, 203 00:21:06,700 --> 00:21:09,740 I can guarantee let us offer it to you. 204 00:21:10,180 --> 00:21:14,220 You know me, I am always ready for an adventure. 205 00:21:14,420 --> 00:21:16,100 So it's understood. 206 00:21:16,260 --> 00:21:17,780 I will do what is necessary. 207 00:21:18,540 --> 00:21:22,220 Our whole only exists thanks to the support of people like you: 208 00:21:22,380 --> 00:21:24,980 intelligent, sensitive and refined. 209 00:21:25,140 --> 00:21:27,380 The typically French kind. 210 00:21:27,860 --> 00:21:30,060 It’s France that owes you so much. 211 00:21:32,980 --> 00:21:36,340 To thank her, I want start with you, Juju. 212 00:21:36,500 --> 00:21:40,820 France needs a little of management, in his life. 213 00:21:40,980 --> 00:21:42,140 “Management”? 214 00:21:43,100 --> 00:21:46,540 I could lend you an excellent manager, 215 00:21:46,700 --> 00:21:48,460 isn't that right, Cedric? 216 00:21:50,500 --> 00:21:53,620 Would you like to meet this evening, to discuss it? 217 00:21:54,860 --> 00:21:57,220 I'm looking to work in culture. 218 00:21:58,620 --> 00:22:01,540 We need to consider things in that sense, then. 219 00:22:02,380 --> 00:22:06,740 I'll come pick you up tonight on the 1st floor of Flore at 7:30 p.m. 220 00:22:07,460 --> 00:22:08,260 Okay? 221 00:22:10,140 --> 00:22:11,100 All right. 222 00:22:14,300 --> 00:22:16,900 I have to leave you, now, Guigui. 223 00:22:17,060 --> 00:22:19,820 I have a meeting this afternoon at the ministry. 224 00:22:28,220 --> 00:22:31,220 Thank you very much, Juju, of this pleasure. 225 00:22:31,340 --> 00:22:33,580 The pleasure was all mine. 226 00:22:35,020 --> 00:22:37,500 And will be even more so. 227 00:22:40,860 --> 00:22:43,620 Cédric, take Juju home, please. 228 00:22:46,260 --> 00:22:47,340 Cedric! 229 00:22:49,620 --> 00:22:51,060 THANKS. 230 00:23:10,940 --> 00:23:14,580 Two such delicious beings could only agree. 231 00:23:14,740 --> 00:23:18,340 I actually think that we are cut from the same fabric. 232 00:23:18,460 --> 00:23:21,460 Absolutely, my dear Guigui, although I have more. 233 00:23:28,940 --> 00:23:32,500 I'm sure this show will inaugurate a collaboration 234 00:23:32,660 --> 00:23:35,900 who will mark with his iron the culture of our time. 235 00:23:36,660 --> 00:23:38,740 If I didn't fear to be misunderstood, 236 00:23:38,940 --> 00:23:42,660 I would have even said that this show will be revolutionary. 237 00:23:42,820 --> 00:23:45,460 A Trojan horse that will open music to thought. 238 00:23:45,620 --> 00:23:49,060 Because without thought, there is no real art. 239 00:23:50,020 --> 00:23:52,940 I completely agree with you, Jean-Astolphe. 240 00:23:53,100 --> 00:23:55,140 Let's talk to each other, my dear Guigui. 241 00:23:55,300 --> 00:23:56,700 Very willingly. 242 00:23:59,460 --> 00:24:01,820 Like gifts maintain friendship, 243 00:24:01,980 --> 00:24:05,980 I'm going to introduce you to someone who can help us seal ours. 244 00:24:06,700 --> 00:24:08,660 Who is it about? 245 00:24:08,780 --> 00:24:11,100 From one of my young managers. 246 00:24:11,260 --> 00:24:13,820 But rest assured, Juju, it's not Cedric. 247 00:24:14,660 --> 00:24:18,500 Guigui has impeccable taste as managers. 248 00:24:18,660 --> 00:24:20,140 This interests me. 249 00:24:20,300 --> 00:24:23,940 I have several assistants, but I don't have a manager. 250 00:24:24,100 --> 00:24:26,620 This collaboration will bring us 251 00:24:26,780 --> 00:24:28,740 all kinds of satisfaction. 252 00:25:15,380 --> 00:25:17,940 - Someone is coming. - No room for 3. 253 00:25:19,700 --> 00:25:21,140 - Good evening. - Good evening. 254 00:25:21,300 --> 00:25:24,380 - There is not enough space. - But yes, come in. 255 00:25:31,060 --> 00:25:32,660 I'm the first to go out. 256 00:25:38,660 --> 00:25:40,620 Mister is my neighbor from below. 257 00:25:44,220 --> 00:25:46,740 Louis is a young actor met recently. 258 00:25:46,900 --> 00:25:49,700 He has a lot of talent. I want to audition him. 259 00:25:51,980 --> 00:25:55,620 You audition a lot young people in your home. 260 00:25:57,260 --> 00:26:00,300 Discover new talents is a privilege of my profession. 261 00:26:00,460 --> 00:26:03,020 Often, my colleagues lack curiosity. 262 00:26:03,660 --> 00:26:05,580 You do not share this fault. 263 00:26:08,380 --> 00:26:09,780 This is my floor. 264 00:26:10,380 --> 00:26:12,220 Good evening, Mr. Méréville. 265 00:26:12,380 --> 00:26:13,620 And good hearing. 266 00:26:13,780 --> 00:26:15,660 THANKS. Good evening to you too. 267 00:26:22,380 --> 00:26:24,180 But my name is not Louis. 268 00:26:40,660 --> 00:26:42,580 I'm coming, I'm coming! 269 00:26:55,380 --> 00:26:56,700 Here I am. 270 00:26:59,140 --> 00:27:02,020 I immediately saw that you are an artist. 271 00:27:04,220 --> 00:27:08,420 I'll show you how I do it work on a classic character. 272 00:27:08,580 --> 00:27:12,020 I am, you know, a great director of actors. 273 00:27:12,180 --> 00:27:14,380 The key to interpretation 274 00:27:15,140 --> 00:27:19,500 depends on understanding subtext. Take Phèdre. 275 00:27:20,180 --> 00:27:22,380 She is tormented by an incestuous desire 276 00:27:22,540 --> 00:27:24,980 never resolved towards the Sun. 277 00:27:26,220 --> 00:27:27,940 What is it, an incestuous desire? 278 00:27:29,460 --> 00:27:32,340 A desire to kiss with someone in your family. 279 00:27:34,380 --> 00:27:35,660 But the Sun? 280 00:27:36,220 --> 00:27:39,100 The Sun, he is Phèdre's grandfather. 281 00:27:40,300 --> 00:27:42,740 - She wants to fuck her grandfather? - Yes. 282 00:27:45,940 --> 00:27:48,940 It becomes obvious in the fourth act, 283 00:27:49,100 --> 00:27:51,900 when she discovers that Hippolyte, solar figure, 284 00:27:52,060 --> 00:27:53,620 loves Aricie. 285 00:27:53,780 --> 00:27:55,660 Phèdre's fury is provoked 286 00:27:55,820 --> 00:27:58,700 by memory of his unfulfilled passion. 287 00:27:58,900 --> 00:28:00,260 Still for the Sun? 288 00:28:00,740 --> 00:28:02,620 Exactly. For the Sun, 289 00:28:02,820 --> 00:28:06,060 which had a feminine element and had conceived Pasiphaé, 290 00:28:06,220 --> 00:28:07,780 Phèdre's mother, 291 00:28:07,940 --> 00:28:10,140 by parthenogenesis. 292 00:28:10,660 --> 00:28:11,660 By what? 293 00:28:12,340 --> 00:28:14,380 Parthenogenesis. 294 00:28:14,540 --> 00:28:17,460 This means make love without kissing. 295 00:28:17,620 --> 00:28:18,980 Like a slug. 296 00:28:19,420 --> 00:28:23,060 - Slugs don't fuck? - Only with themselves. 297 00:28:24,980 --> 00:28:26,140 And you ? 298 00:28:26,300 --> 00:28:27,620 Can you do that? 299 00:28:27,820 --> 00:28:30,340 I'm not a slug, but I have other qualities. 300 00:28:30,500 --> 00:28:34,140 Look what I can do thanks to this analysis of the subtext. 301 00:28:36,780 --> 00:28:40,020 They will always love each other! 302 00:28:40,180 --> 00:28:41,980 As I speak 303 00:28:42,140 --> 00:28:45,660 Ah! deadly thought! 304 00:28:47,820 --> 00:28:51,700 They brave the fury of a foolish lover 305 00:28:51,860 --> 00:28:53,620 Despite this exile who will push them aside 306 00:28:53,820 --> 00:28:56,380 They make a thousand oaths not to leave 307 00:28:56,540 --> 00:29:01,020 No, I can't suffer a happiness that outrages me 308 00:29:01,180 --> 00:29:04,940 oenone, have mercy of my jealous rage 309 00:29:05,100 --> 00:29:09,340 We must lose Aricie 310 00:29:10,100 --> 00:29:12,460 I need my husband 311 00:29:12,620 --> 00:29:16,580 Against odious blood awaken the wrath 312 00:29:16,740 --> 00:29:18,900 That he does not limit himself to light sentences 313 00:29:19,100 --> 00:29:22,500 The sister's crime pass that of the brothers 314 00:29:22,660 --> 00:29:26,420 In my jealous transports I want to beg 315 00:29:43,740 --> 00:29:45,260 What am I doing? 316 00:29:46,060 --> 00:29:49,020 Where will my reason go astray? 317 00:29:50,660 --> 00:29:51,940 Me, jealous! 318 00:29:52,100 --> 00:29:55,260 And Theseus is the one I implore! 319 00:29:55,940 --> 00:29:57,900 My husband is alive 320 00:29:58,060 --> 00:30:01,620 And I'm still burning! 321 00:30:01,780 --> 00:30:03,580 For whom? 322 00:30:10,540 --> 00:30:13,140 Where can I hide? 323 00:30:15,020 --> 00:30:18,260 Let's flee into the hellish night 324 00:30:24,100 --> 00:30:25,220 Is this the end? 325 00:30:26,060 --> 00:30:26,900 Yes. 326 00:30:32,940 --> 00:30:34,580 Wasn't it moving? 327 00:30:37,060 --> 00:30:38,140 Very moving. 328 00:31:02,660 --> 00:31:05,540 I saw by the way your eye caressed my body 329 00:31:05,700 --> 00:31:08,460 that you have a natural look of a man of the theater. 330 00:31:10,660 --> 00:31:12,420 What is your name? 331 00:31:12,580 --> 00:31:13,620 Olive. 332 00:31:15,260 --> 00:31:17,500 - Olivier how? - Jeanmin. 333 00:31:19,740 --> 00:31:21,220 “Jeanmin” is good. 334 00:31:21,380 --> 00:31:24,060 - “Olivier” is common. - It's a tree. 335 00:31:24,220 --> 00:31:26,940 A tree is not good, for an artist. 336 00:31:27,100 --> 00:31:29,460 Art is negation of nature. 337 00:31:31,380 --> 00:31:33,220 "Oliver" is better. 338 00:31:33,380 --> 00:31:35,460 In English, this means nothing. 339 00:31:37,900 --> 00:31:41,460 Oliver Jeanmin, you will be a great actor and director. 340 00:31:43,380 --> 00:31:45,860 - Thanks to you? - Yes, thanks to me. 341 00:31:47,100 --> 00:31:49,580 You will start by being my assistant. 342 00:31:49,740 --> 00:31:51,220 I agree with everything. 343 00:31:52,100 --> 00:31:54,420 But the pass, it's always 500 francs. 344 00:32:03,580 --> 00:32:06,180 Bourgeois art is an art of lying. 345 00:32:06,340 --> 00:32:08,940 A profoundly immoral art. 346 00:32:10,140 --> 00:32:12,300 Baroque art, despite appearances, 347 00:32:12,460 --> 00:32:15,300 is always an expression of the truth. 348 00:32:16,300 --> 00:32:20,540 If we succeed to penetrate the baroques, 349 00:32:20,700 --> 00:32:23,220 we will see that they are the fathers of the Enlightenment 350 00:32:23,380 --> 00:32:26,740 to whom we owe our true birth. 351 00:32:26,900 --> 00:32:30,060 Monteverdi gave birth of a Branch 352 00:32:30,220 --> 00:32:33,380 and he is the ancestor of Pierre Boulez. 353 00:32:33,500 --> 00:32:37,700 Corneille is the progenitor of Voltaire and Sartre's ancestor. 354 00:32:38,700 --> 00:32:42,980 If we make the effort to surprise the baroque, 355 00:32:43,100 --> 00:32:45,660 It’s us who will be surprised. 356 00:32:45,820 --> 00:32:50,180 If we take the necessary step towards the truth of the baroque, 357 00:32:50,340 --> 00:32:53,420 this is our truth that we will discover there. 358 00:32:53,580 --> 00:32:57,700 If we strive to liberate the baroque, 359 00:32:57,860 --> 00:33:01,060 we will finally reach to our freedom. 360 00:33:13,220 --> 00:33:16,860 Thank you, Jean-Astolphe. It's amazing what you say. 361 00:33:17,020 --> 00:33:20,180 How lucky for us to be able to work with you. 362 00:33:21,900 --> 00:33:22,780 Cedric, 363 00:33:23,580 --> 00:33:25,860 give this to Sarah, please. 364 00:33:36,940 --> 00:33:39,900 This is the Lamento della Ninfa. 365 00:33:40,060 --> 00:33:43,140 You will sing the top, the role of the nymph. 366 00:33:46,380 --> 00:33:47,540 THANKS. 367 00:34:32,660 --> 00:34:34,340 It's pretty, what you sang. 368 00:34:35,420 --> 00:34:37,020 You came home early. 369 00:34:37,540 --> 00:34:39,060 Keep working. 370 00:34:39,700 --> 00:34:41,340 I was finishing. 371 00:34:41,540 --> 00:34:42,900 What were you singing? 372 00:34:43,460 --> 00:34:46,180 A piece for the record and the show. 373 00:34:47,180 --> 00:34:48,620 What is it about? 374 00:34:49,540 --> 00:34:51,860 An abandoned girl by her lover sings. 375 00:34:52,020 --> 00:34:54,820 Maybe she's crazy maybe dead. 376 00:34:55,260 --> 00:34:56,260 And is it baroque? 377 00:34:56,660 --> 00:34:57,540 Yes. 378 00:34:58,860 --> 00:35:00,580 What is it, exactly? 379 00:35:01,700 --> 00:35:03,740 A historical period. 380 00:35:04,140 --> 00:35:05,540 That's what I thought. 381 00:35:06,620 --> 00:35:09,580 Baroque people, What was special about them? 382 00:35:10,620 --> 00:35:13,220 They said at the same time two contradictory things 383 00:35:13,380 --> 00:35:15,220 and both were true. 384 00:35:16,060 --> 00:35:17,660 I don't understand. 385 00:35:20,020 --> 00:35:22,500 It's like saying that we are 2 people at the same time 386 00:35:22,660 --> 00:35:25,740 and one is alive because the other is dead. 387 00:35:26,380 --> 00:35:29,660 Nothing is more exclusive than life and death. 388 00:35:40,540 --> 00:35:42,220 What is it? 389 00:35:44,860 --> 00:35:45,980 Nothing. 390 00:35:48,420 --> 00:35:51,740 It's beautiful, what you say, but that is beyond me. 391 00:36:04,980 --> 00:36:06,900 This is beautiful too, right? 392 00:36:09,300 --> 00:36:10,340 Yes. 393 00:36:11,900 --> 00:36:14,020 But everything that is beautiful is beyond us. 394 00:36:28,260 --> 00:36:30,140 - Hello ? - It's me. 395 00:36:31,580 --> 00:36:33,140 Can I come see you? 396 00:36:33,940 --> 00:36:35,460 Where are you? 397 00:36:35,580 --> 00:36:36,780 In the corner. 398 00:36:37,700 --> 00:36:40,220 I'm with a friend. We revise. 399 00:36:40,380 --> 00:36:42,380 I can come later. 400 00:36:42,540 --> 00:36:43,980 I get up early. 401 00:36:44,140 --> 00:36:45,980 We'll go to bed early. 402 00:36:46,140 --> 00:36:48,700 Come in an hour, if you want. 403 00:36:48,860 --> 00:36:50,220 All right. 404 00:38:02,100 --> 00:38:03,980 What is this beastly noise? 405 00:38:04,140 --> 00:38:06,700 You're supposed to be a singer. 406 00:38:10,980 --> 00:38:14,260 No one will tell me to take anymore French mowers, 407 00:38:14,420 --> 00:38:16,500 even to please at the ministry. 408 00:38:16,660 --> 00:38:19,860 At our place, cows sing better than that. 409 00:38:21,380 --> 00:38:23,340 I don't understand this violence. 410 00:38:24,980 --> 00:38:28,340 It was so stinky that I want to vomit. 411 00:38:28,500 --> 00:38:31,260 You have the stamp of a strangled kangaroo, 412 00:38:31,460 --> 00:38:34,860 and what's more, you don't make any sense Baroque style. 413 00:38:35,980 --> 00:38:37,700 I just want to learn. 414 00:38:40,100 --> 00:38:42,220 Let's start again if you want, Guigui. 415 00:38:43,020 --> 00:38:44,940 It's hopeless. 416 00:38:45,100 --> 00:38:48,820 She better look a cashier position at Tati. 417 00:39:08,980 --> 00:39:09,940 Sarah? 418 00:39:11,580 --> 00:39:13,140 It doesn't matter, you know. 419 00:39:14,700 --> 00:39:16,420 He does this with everyone. 420 00:39:21,140 --> 00:39:22,380 Come on. 421 00:39:28,100 --> 00:39:30,420 Go to the bar, get yourself a coffee. 422 00:39:39,140 --> 00:39:40,660 I'll calm him down. 423 00:39:41,260 --> 00:39:44,580 Soon he will be happy about you, you won't think about it anymore. 424 00:39:45,420 --> 00:39:46,860 Go get a coffee downstairs. 425 00:39:48,700 --> 00:39:50,660 There's nothing open here. 426 00:39:50,820 --> 00:39:51,860 Yes. 427 00:39:51,980 --> 00:39:53,860 There's a creepy cafe. 428 00:39:53,980 --> 00:39:56,780 Turn right twice when leaving the building. 429 00:39:56,900 --> 00:39:58,220 I'm going there. 430 00:40:09,860 --> 00:40:11,420 Coffee, please. 431 00:47:27,260 --> 00:47:31,140 Not too gross, my children. Not too gross. 432 00:47:42,300 --> 00:47:45,060 It's stupid that we don't pass Christmas together. 433 00:47:46,300 --> 00:47:48,140 We each have our own family. 434 00:47:48,300 --> 00:47:51,020 Mine always celebrates Christmas in the countryside. 435 00:47:51,180 --> 00:47:53,580 Soon we will have our family. 436 00:47:56,300 --> 00:47:59,620 I won't see you tomorrow, I give you your gift now. 437 00:48:06,700 --> 00:48:08,740 I sent yours at your parents' house. 438 00:48:10,940 --> 00:48:12,860 The poems of Michelangelo. 439 00:48:13,580 --> 00:48:16,700 - It's more or less baroque, isn't it? - More or less. 440 00:48:16,860 --> 00:48:20,300 A very learned German said that he is the father of baroque. 441 00:48:20,460 --> 00:48:21,860 Do you know his poems? 442 00:48:22,220 --> 00:48:23,300 A little. 443 00:48:24,580 --> 00:48:25,500 Do you like it? 444 00:48:25,860 --> 00:48:26,740 Yes. 445 00:48:30,580 --> 00:48:32,420 What is this ? 446 00:48:32,580 --> 00:48:34,580 The record I made with the Unnamable. 447 00:48:34,740 --> 00:48:37,060 It came out last week. 448 00:48:37,220 --> 00:48:38,420 It's great. 449 00:48:39,540 --> 00:48:41,060 Why didn't you say anything? 450 00:48:44,660 --> 00:48:46,140 I forgot. 451 00:50:09,220 --> 00:50:11,340 Why were you waiting for me? 452 00:50:12,300 --> 00:50:13,900 I wasn't expecting you. 453 00:50:14,740 --> 00:50:17,580 - I wanted to cross. - "To cross" ? 454 00:50:21,980 --> 00:50:24,940 - I was looking for the bridge. - There is no bridge. 455 00:50:26,740 --> 00:50:29,860 I was looking for my friend. She's on the other side. 456 00:50:29,980 --> 00:50:32,020 There's nothing on the other side. 457 00:50:33,460 --> 00:50:36,460 - There is another shore. - There is only water. 458 00:50:37,540 --> 00:50:38,780 I hear his voice. 459 00:50:38,940 --> 00:50:41,020 It is my voice that you hear. 460 00:50:42,100 --> 00:50:43,420 I hear music. 461 00:50:43,580 --> 00:50:45,300 The music is me. 462 00:50:49,980 --> 00:50:52,300 This is where you want to go. 463 00:50:54,580 --> 00:50:55,460 No. 464 00:50:55,620 --> 00:50:57,140 I want to cross the bridge. 465 00:50:57,300 --> 00:50:59,340 There is no bridge. 466 00:51:36,900 --> 00:51:39,580 It's nice, to spend Christmas Eve together, 467 00:51:39,740 --> 00:51:40,780 both of us. 468 00:51:41,460 --> 00:51:42,340 Yes. 469 00:51:44,060 --> 00:51:45,900 I care about you a lot. 470 00:51:46,940 --> 00:51:48,860 I'm not unhappy about it. 471 00:51:49,260 --> 00:51:51,100 But I'm worried about you. 472 00:51:52,060 --> 00:51:52,940 For what ? 473 00:51:53,860 --> 00:51:55,740 A man must respect himself. 474 00:51:57,740 --> 00:52:00,740 The best way is to have respect for others. 475 00:52:01,300 --> 00:52:03,100 This is not enough. 476 00:52:03,660 --> 00:52:05,020 What more is needed? 477 00:52:05,660 --> 00:52:07,220 A social status. 478 00:52:09,420 --> 00:52:10,500 For what ? 479 00:52:10,740 --> 00:52:12,660 It's the mirror where we look at each other. 480 00:52:12,860 --> 00:52:15,460 If we don't see anything there, we cannot love each other. 481 00:52:16,380 --> 00:52:17,940 Is loving yourself a good thing? 482 00:52:18,140 --> 00:52:20,900 Yes. Otherwise, we destroy ourselves. 483 00:52:47,020 --> 00:52:48,940 Now that he is well past midnight, 484 00:52:49,100 --> 00:52:51,100 I can give you your gift. 485 00:52:51,260 --> 00:52:52,740 Why not at midnight? 486 00:52:52,900 --> 00:52:54,660 It is a secular gift. 487 00:52:55,780 --> 00:52:57,100 I have yours, too. 488 00:52:57,820 --> 00:52:59,660 I don't know if he is secular. 489 00:53:04,940 --> 00:53:06,620 Start, you. 490 00:53:10,940 --> 00:53:13,980 "Giordano Bruno: The Heroic Furies." 491 00:53:15,620 --> 00:53:17,580 It's philosophy, I think. 492 00:53:18,300 --> 00:53:20,460 A friend told me the life of the author. 493 00:53:20,580 --> 00:53:22,060 He was a nice guy. 494 00:53:22,380 --> 00:53:24,100 It's not philosophy. 495 00:53:24,260 --> 00:53:25,980 And it's not secular at all. 496 00:53:26,140 --> 00:53:27,980 It's even quite obscurantist. 497 00:53:28,180 --> 00:53:31,460 But this text could amuse me after my competition. 498 00:53:31,620 --> 00:53:33,260 Thank you, Pascal. 499 00:53:34,740 --> 00:53:36,060 And me now. 500 00:53:47,100 --> 00:53:48,660 What is this ? 501 00:53:49,580 --> 00:53:52,580 This just came out. It's a new French ensemble. 502 00:53:52,740 --> 00:53:54,100 "The Triumphant Delights", 503 00:53:54,300 --> 00:53:56,580 who is "the best", according to Le Nouvel Obs. 504 00:53:58,780 --> 00:54:00,060 “Monteverdi.” 505 00:54:01,540 --> 00:54:02,500 I don't know. 506 00:54:02,900 --> 00:54:06,620 He was an Italian composer from the time of Giordano Bruno. 507 00:54:06,820 --> 00:54:07,980 Cool, then. 508 00:54:08,140 --> 00:54:09,260 THANKS. 509 00:54:13,420 --> 00:54:15,380 I'm going to discover lots of things. 510 00:57:25,780 --> 00:57:28,460 You don't want to dance, to celebrate the new year? 511 00:57:28,620 --> 00:57:29,620 No. 512 00:58:09,180 --> 00:58:10,700 What is there? 513 00:58:10,860 --> 00:58:12,100 Nothing. 514 00:58:13,740 --> 00:58:15,740 You didn't pass a good evening. 515 00:58:15,900 --> 00:58:17,140 Yes. 516 00:58:26,860 --> 00:58:28,580 I know not. 517 00:58:28,740 --> 00:58:29,860 So no. 518 00:58:30,980 --> 00:58:32,660 Why don't you tell me about it? 519 00:58:32,820 --> 00:58:34,460 There is nothing to say. 520 00:58:34,620 --> 00:58:35,700 If. 521 00:58:35,860 --> 00:58:38,020 There is always something to say. 522 00:58:38,180 --> 00:58:39,500 I was bad. 523 00:58:40,540 --> 00:58:41,900 Because of what? 524 00:58:42,060 --> 00:58:43,740 Because of the violence. 525 00:58:44,460 --> 00:58:45,740 Or ? 526 00:58:45,900 --> 00:58:47,820 In the eyes, in the voices. 527 00:58:48,900 --> 00:58:50,700 I don't understand. 528 00:58:50,860 --> 00:58:52,540 My mask was torn off. 529 00:58:53,900 --> 00:58:55,580 Why wear a mask? 530 00:58:55,740 --> 00:58:56,980 To exist. 531 00:58:58,100 --> 00:58:59,860 Isn't the truth better? 532 00:59:00,020 --> 00:59:02,100 It was my mask, which was the truth. 533 00:59:03,460 --> 00:59:07,020 - Behind, is there you? - No. Behind there is nothing. 534 00:59:10,260 --> 00:59:12,780 It's a ghost that you think you'll hold. 535 00:59:19,580 --> 00:59:23,220 You are as real as me. I who am real, I love you. 536 00:59:25,020 --> 00:59:26,420 You don't know where I am. 537 00:59:27,380 --> 00:59:29,060 You are here, I hold you in my arms. 538 00:59:30,300 --> 00:59:31,980 My body is already elsewhere. 539 00:59:32,460 --> 00:59:33,460 No. 540 00:59:34,740 --> 00:59:36,260 My soul was the mask. 541 00:59:36,900 --> 00:59:37,740 No. 542 00:59:38,580 --> 00:59:41,340 And now, she too is elsewhere. 543 00:59:41,860 --> 00:59:44,420 Your soul is in your body, who is in front of me. 544 00:59:44,580 --> 00:59:46,460 I touch you, I see you. 545 00:59:47,340 --> 00:59:50,740 What of me can be touched and see, it's someone else. 546 01:00:15,460 --> 01:00:16,660 Enter. 547 01:00:21,340 --> 01:00:22,380 Good morning. 548 01:00:23,060 --> 01:00:24,660 You are late. 549 01:00:30,740 --> 01:00:32,060 Sit down. 550 01:00:40,180 --> 01:00:42,340 Show me your mastery plan. 551 01:00:55,500 --> 01:00:57,180 What does this mean? 552 01:00:59,300 --> 01:01:01,900 I was trying to imitate the silence of Jacques Vaché. 553 01:01:02,620 --> 01:01:04,340 This doesn't make me laugh. 554 01:01:05,100 --> 01:01:07,780 You know if you fail again this year, 555 01:01:07,900 --> 01:01:09,620 will this be the end of your studies? 556 01:01:10,620 --> 01:01:11,500 Yes. 557 01:01:12,500 --> 01:01:14,260 Doesn't that scare you? 558 01:01:14,620 --> 01:01:15,460 No. 559 01:01:17,220 --> 01:01:18,900 I'm not going to get angry. 560 01:01:20,300 --> 01:01:21,860 I will return your sheet to you. 561 01:01:23,340 --> 01:01:27,380 Ask the secretary an appointment in 15 days, 562 01:01:27,540 --> 01:01:29,780 when you come back with your plan. 563 01:01:52,580 --> 01:01:55,780 I find that compared about what you gave me, 564 01:01:55,940 --> 01:01:58,540 Jacques Vaché provides me a very fair model. 565 01:01:59,820 --> 01:02:03,340 You are lucky to have such a fascinating subject. 566 01:02:04,020 --> 01:02:06,700 Breton is a very great writer. 567 01:02:07,660 --> 01:02:10,740 It would have been even bigger if he hadn't written anything. 568 01:02:12,780 --> 01:02:15,780 Do you dare to repeat what did you just tell me? 569 01:02:16,780 --> 01:02:19,460 What I think is not worth worth repeating. 570 01:02:20,380 --> 01:02:23,620 You're not worth it that I get up to slap you. 571 01:02:24,500 --> 01:02:26,020 I agree with you. 572 01:02:26,780 --> 01:02:27,940 Get out. 573 01:02:41,940 --> 01:02:44,100 How can you indulge in the dark? 574 01:02:44,660 --> 01:02:47,100 It is the very source of obscurantism. 575 01:02:48,060 --> 01:02:50,020 I take advantage of the daylight. 576 01:02:51,380 --> 01:02:52,580 It makes me feel good. 577 01:02:53,100 --> 01:02:55,620 I thought something had happened to you. 578 01:02:56,140 --> 01:02:57,740 Nothing ever happens to me. 579 01:02:58,380 --> 01:03:00,260 That maybe you weren't okay. 580 01:03:01,020 --> 01:03:02,660 You see I'm doing very well. 581 01:03:03,260 --> 01:03:05,180 You don't pick up anymore your phone. 582 01:03:07,100 --> 01:03:08,580 I don't want to talk. 583 01:03:09,020 --> 01:03:10,180 For what ? 584 01:03:11,380 --> 01:03:13,140 I have nothing to say. 585 01:03:13,540 --> 01:03:15,460 Maybe we want to talk to you. 586 01:03:16,700 --> 01:03:19,140 There is nothing that I want to hear. 587 01:03:19,300 --> 01:03:21,500 There is nothing that I want to do. 588 01:03:21,940 --> 01:03:24,140 Don't wallow in your depression. 589 01:03:24,300 --> 01:03:25,820 At least look for a job. 590 01:03:26,220 --> 01:03:27,100 For what ? 591 01:03:27,580 --> 01:03:29,020 To keep your dignity. 592 01:03:29,220 --> 01:03:32,060 You could also try to recover your studies. 593 01:03:32,260 --> 01:03:33,540 It's already done. 594 01:03:34,300 --> 01:03:36,980 I registered for a new mastery. 595 01:03:37,340 --> 01:03:38,980 I'm happy, then. 596 01:03:39,780 --> 01:03:42,460 Point of view analysis of materialist transcendence 597 01:03:42,660 --> 01:03:44,900 of the entire work by Jacques Vaché. 598 01:03:46,060 --> 01:03:50,020 That's why I don't talk to you anymore and don't pick up my phone again. 599 01:03:50,180 --> 01:03:51,220 I'm getting ready. 600 01:03:57,420 --> 01:03:59,100 What are you doing ? 601 01:03:59,260 --> 01:04:00,940 - I'm leaving. - Or ? 602 01:04:01,060 --> 01:04:02,620 It's none of your business. 603 01:04:02,780 --> 01:04:04,500 - Are you leaving me? - Yes. 604 01:04:08,060 --> 01:04:09,340 It's not nice. 605 01:04:09,500 --> 01:04:12,940 I'm not trying to be "nice". I am not a demagogue. 606 01:04:13,060 --> 01:04:14,460 It's not well mannered. 607 01:04:14,660 --> 01:04:17,700 I'm not well brought up, I am a philosopher. 608 01:04:18,420 --> 01:04:21,420 You have always been a philosopher, you're only leaving me today. 609 01:04:21,580 --> 01:04:23,300 The silence revolts me. 610 01:04:23,940 --> 01:04:25,780 I seek to achieve the sublime. 611 01:04:26,340 --> 01:04:30,060 In silence, philosophy dies and fascism is born. 612 01:04:30,260 --> 01:04:32,660 - It's your duty to leave me. - Yes. 613 01:04:33,260 --> 01:04:36,380 Do you still want me to turn you on, before leaving? 614 01:04:36,540 --> 01:04:40,100 A philosopher who turns on a guy leaving him is a sadist. 615 01:05:07,980 --> 01:05:12,980 So, my darlings, I hope that you had a good holiday. 616 01:05:13,140 --> 01:05:14,140 As you know, 617 01:05:14,300 --> 01:05:17,460 “The Triumphant Delights” triumph. 618 01:05:17,660 --> 01:05:20,180 It's true that you deserve it, this success. 619 01:05:20,380 --> 01:05:23,060 I am really very happy with you. 620 01:05:23,780 --> 01:05:26,500 We will work some new parts 621 01:05:26,660 --> 01:05:29,820 who will be in the show with Jean-Astolphe. 622 01:05:31,180 --> 01:05:32,220 Sarah, 623 01:05:32,940 --> 01:05:36,340 you are going to sing to us Arianna's Lament. 624 01:05:37,740 --> 01:05:39,540 I never worked on it. 625 01:05:39,940 --> 01:05:42,140 You're going to work on it now, my darling. 626 01:05:48,860 --> 01:05:50,060 Hold. 627 01:06:21,460 --> 01:06:23,460 Do you call that singing? 628 01:06:24,420 --> 01:06:25,820 I deciphered. 629 01:06:27,340 --> 01:06:29,100 When you don't know how to sing, 630 01:06:29,220 --> 01:06:31,260 when you don't know anything about style, 631 01:06:31,420 --> 01:06:33,620 you can hear it at the first note. 632 01:06:33,780 --> 01:06:36,380 Don't you know what it means “the morbid”? 633 01:06:37,420 --> 01:06:39,780 What is sweet in “Let Me Die”? 634 01:06:39,980 --> 01:06:43,060 You sang it like a castrated ram! 635 01:06:45,780 --> 01:06:48,100 Are you a woman, Sarah, 636 01:06:48,220 --> 01:06:49,980 or a baby seal? 637 01:06:50,140 --> 01:06:52,180 Even a little boy in full virginity 638 01:06:52,340 --> 01:06:55,140 sings with more sexuality in his voice. 639 01:06:56,060 --> 01:06:57,340 Let's start again, Guigui. 640 01:07:00,060 --> 01:07:01,180 Sandrine, 641 01:07:02,180 --> 01:07:05,780 you are going to sing Arianna's Lament. 642 01:07:06,660 --> 01:07:09,020 But I'm not here only for choirs. 643 01:07:10,940 --> 01:07:14,380 With us, it is the merit which determines everything. Sung. 644 01:07:51,660 --> 01:07:53,820 Magnificent, Sandrine. Gorgeous. 645 01:07:53,940 --> 01:07:55,740 This is music. 646 01:07:57,020 --> 01:08:00,580 I will never be able to sing it like Sarah. 647 01:08:01,100 --> 01:08:03,380 Sarah could never sing it like you. 648 01:08:03,540 --> 01:08:07,620 You will be in the show the pieces she recorded. 649 01:08:10,380 --> 01:08:14,100 Don't worry, Sandrine. Pretend she's not there anymore. 650 01:08:15,820 --> 01:08:18,700 You are right. I'm not here anymore. 651 01:08:20,820 --> 01:08:22,980 It's a shame that you take it so badly. 652 01:08:23,140 --> 01:08:26,340 I would have offered to replace Sandrine in the backing vocals. 653 01:08:29,820 --> 01:08:32,780 I won't have any trouble to find soloists like you. 654 01:08:32,940 --> 01:08:37,260 At the bakery, an apprentice loves singing in the shower. 655 01:08:42,100 --> 01:08:44,780 Let's go, my darlings. We're going to work. 656 01:08:45,820 --> 01:08:48,100 Let's leave Arianna for now. 657 01:08:48,260 --> 01:08:52,580 Sandrine, you will decipher the “Lament of Ninfa”. 658 01:09:00,180 --> 01:09:00,980 Sarah! 659 01:09:01,100 --> 01:09:02,300 Wait. 660 01:09:04,340 --> 01:09:07,300 Leave your stuff here. Go have a drink downstairs. 661 01:09:07,460 --> 01:09:09,260 When you return, he will have changed his mind. 662 01:09:09,660 --> 01:09:10,940 I don't care about his opinion. 663 01:09:12,380 --> 01:09:13,740 Nobody sings that like you. 664 01:09:14,900 --> 01:09:17,500 The one who was supposed to sing it did so. It's over. 665 01:09:17,940 --> 01:09:20,460 You were the one who sang it. You're still here. 666 01:09:33,740 --> 01:09:34,740 Sarah? 667 01:09:36,660 --> 01:09:37,820 I'm waiting for you. 668 01:09:39,380 --> 01:09:41,340 I will leave the door open. 669 01:09:41,540 --> 01:09:44,620 The door downstairs will be closed. Farewell. 670 01:10:49,380 --> 01:10:50,620 Miss ? 671 01:10:50,780 --> 01:10:52,580 A whiskey, please. 672 01:10:52,700 --> 01:10:55,140 JandB or Glenfiddich? 673 01:10:55,260 --> 01:10:56,940 I don't care. 674 01:15:21,740 --> 01:15:23,820 - Hello Sir. - Hello Mrs. 675 01:15:28,580 --> 01:15:30,260 What would you like ? 676 01:15:30,700 --> 01:15:32,900 I would like to ask you a service. 677 01:15:33,380 --> 01:15:34,260 Yes ? 678 01:15:35,420 --> 01:15:36,900 Do you know where I live? 679 01:15:37,460 --> 01:15:38,980 On the ground floor. 680 01:15:40,700 --> 01:15:42,420 I have to leave now. 681 01:15:43,260 --> 01:15:44,420 It's unexpected. 682 01:15:45,660 --> 01:15:46,620 Yes ? 683 01:15:48,100 --> 01:15:51,820 Could you come to my house in 30 min and turn off the oven? 684 01:15:51,980 --> 01:15:53,980 I leave the door open. 685 01:15:54,420 --> 01:15:56,820 I'm used to turning off ovens. 686 01:15:57,460 --> 01:15:59,700 But it won't be to the minute. 687 01:16:00,100 --> 01:16:01,940 It won't matter. 688 01:16:02,580 --> 01:16:04,140 No problem, then. 689 01:16:04,540 --> 01:16:05,980 You are nice. 690 01:16:06,580 --> 01:16:07,860 It's normal. 691 01:16:08,860 --> 01:16:10,220 Nothing is normal. 692 01:16:11,540 --> 01:16:12,380 Farewell, madam. 693 01:16:13,300 --> 01:16:14,940 Goodbye, sir. 694 01:23:27,660 --> 01:23:29,500 “Sarah Dacruon.” 695 01:23:37,780 --> 01:23:39,500 Sarah Dacruon. 696 01:23:42,060 --> 01:23:43,220 Sarah. 697 01:23:45,860 --> 01:23:47,060 Sarah. 698 01:23:50,340 --> 01:23:51,300 Sarah. 699 01:24:02,300 --> 01:24:04,900 Do you still want a little Armagnac? 700 01:24:05,860 --> 01:24:09,300 - I'm working tomorrow. - Come on, one for the road. 701 01:24:09,420 --> 01:24:11,580 This will help you sleep. 702 01:24:18,700 --> 01:24:21,300 We are very happy to see you again, Manuel. 703 01:24:21,700 --> 01:24:22,740 Me too. 704 01:24:23,700 --> 01:24:26,020 This must still be unsustainable. 705 01:24:26,620 --> 01:24:28,020 Work keeps me busy. 706 01:24:29,060 --> 01:24:31,140 Do you think you'll stay in the apartment? 707 01:24:31,540 --> 01:24:32,740 Yes. 708 01:24:32,940 --> 01:24:34,220 Isn't that too hard? 709 01:24:36,260 --> 01:24:38,020 It would be harder elsewhere. 710 01:24:39,420 --> 01:24:41,580 We would have a hard time. 711 01:24:42,700 --> 01:24:44,780 This is why I'm not inviting you. 712 01:24:45,420 --> 01:24:47,020 We are looking. 713 01:24:47,900 --> 01:24:49,340 Me too. 714 01:24:54,140 --> 01:24:56,060 But what I'm looking for is located there. 715 01:24:57,900 --> 01:25:00,300 When we are looking for something, 716 01:25:00,420 --> 01:25:02,020 we don't stay at home. 717 01:25:05,420 --> 01:25:07,500 Do you know what are you looking for? 718 01:25:09,140 --> 01:25:10,740 Not exactly. 719 01:25:12,060 --> 01:25:13,300 Me neither. 720 01:25:14,540 --> 01:25:15,500 You have to wait. 721 01:25:16,180 --> 01:25:18,900 Where you wait, there is only the past. 722 01:25:20,140 --> 01:25:21,460 There is also the present. 723 01:25:21,660 --> 01:25:23,220 But your future? 724 01:25:24,460 --> 01:25:26,180 He will come find me. 725 01:25:31,820 --> 01:25:33,180 Tomorrow I get up early. 726 01:26:34,380 --> 01:26:35,180 Pascal? 727 01:26:41,860 --> 01:26:43,060 I recognized you. 728 01:26:43,500 --> 01:26:46,460 I have changed a lot, but no back. 729 01:26:46,620 --> 01:26:47,460 Are you well? 730 01:26:47,940 --> 01:26:49,620 Alright. THANKS. 731 01:26:50,060 --> 01:26:52,300 It looks like it, seeing you. 732 01:26:52,460 --> 01:26:54,180 You were right to separate you from me. 733 01:26:54,620 --> 01:26:55,620 I don't know. 734 01:26:56,020 --> 01:26:57,740 Yes. 735 01:26:57,900 --> 01:26:59,500 You look more fulfilled. 736 01:26:59,900 --> 01:27:01,100 Do you find it? 737 01:27:02,420 --> 01:27:03,740 You met someone. 738 01:27:04,340 --> 01:27:06,020 Yes. 739 01:27:06,420 --> 01:27:08,180 I'm happy for you. 740 01:27:09,340 --> 01:27:10,180 Is he a student? 741 01:27:10,820 --> 01:27:12,900 Aggregative. In history. 742 01:27:14,900 --> 01:27:15,700 Owl. 743 01:27:16,140 --> 01:27:17,740 He's working on a thesis, too. 744 01:27:18,220 --> 01:27:19,100 On what? 745 01:27:19,340 --> 01:27:22,180 The diet in Normandy in the 12th century. 746 01:27:23,260 --> 01:27:24,460 It's exciting. 747 01:27:24,620 --> 01:27:25,780 It is very bright. 748 01:27:26,660 --> 01:27:30,100 I suspect it. I hope you love each other. 749 01:27:30,500 --> 01:27:32,460 We don't ask the question. 750 01:27:32,900 --> 01:27:34,900 This is very important. 751 01:27:35,340 --> 01:27:36,380 And you ? 752 01:27:38,300 --> 01:27:39,660 Me... 753 01:27:40,060 --> 01:27:41,540 Do you love someone? 754 01:27:43,700 --> 01:27:44,660 Yes. 755 01:27:45,620 --> 01:27:46,900 I don't know her? 756 01:27:49,500 --> 01:27:52,020 She's a singer of “Triumphant Delights”. 757 01:27:52,180 --> 01:27:53,820 Do you remember? 758 01:27:54,020 --> 01:27:56,180 The record you gave me at Christmas. 759 01:27:56,340 --> 01:27:58,100 I'm happy. 760 01:27:58,980 --> 01:28:01,020 Are you going on vacation this summer? 761 01:28:01,420 --> 01:28:02,740 Yes. 762 01:28:02,900 --> 01:28:04,780 In Italy. 763 01:28:04,940 --> 01:28:06,420 In Mantua and Venice. 764 01:28:06,620 --> 01:28:07,620 And you ? 765 01:28:07,780 --> 01:28:09,620 If we pass our aggregate, 766 01:28:09,740 --> 01:28:12,060 we will take a studious trip in Germany. 767 01:28:12,220 --> 01:28:13,460 Or in Normandy. 768 01:28:13,620 --> 01:28:16,140 Humbert wants to do analyzes mineralogy of the soil. 769 01:28:17,220 --> 01:28:19,260 For the elements medieval milk? 770 01:28:19,740 --> 01:28:20,900 Exactly. 771 01:28:24,540 --> 01:28:28,340 - Do you have time for a drink? - No. I'll have to go. 772 01:28:28,500 --> 01:28:29,820 I'm preparing for the oral. 773 01:28:31,820 --> 01:28:34,140 It was nice to see you again. 774 01:28:34,580 --> 01:28:35,820 Me too. 775 01:28:35,980 --> 01:28:37,100 It's weird. 776 01:28:37,580 --> 01:28:38,900 What's weird? 777 01:28:39,100 --> 01:28:42,260 That we had to separate to be happy together. 778 01:28:42,900 --> 01:28:46,380 Maybe we always have to separate to be happy together. 779 01:29:17,060 --> 01:29:18,660 - Pascal. - Michael. 780 01:29:19,660 --> 01:29:21,060 Do you have time for a coffee? 781 01:29:21,260 --> 01:29:23,980 I have something to do but we can see each other again. 782 01:29:24,460 --> 01:29:27,500 If you are free tomorrow evening, I offer you a Noh show. 783 01:29:27,900 --> 01:29:28,820 Who is it ? 784 01:29:29,340 --> 01:29:31,460 A kind of old Japanese theater. 785 01:29:32,100 --> 01:29:33,340 Tomorrow evening... 786 01:29:34,100 --> 01:29:34,900 Why not? 787 01:29:35,380 --> 01:29:37,780 We'll meet at 8 p.m. at the Café des Arts. 788 01:29:38,300 --> 01:29:39,340 All right. 789 01:29:40,060 --> 01:29:40,860 See you tomorrow. 790 01:30:07,780 --> 01:30:10,100 I feel like I understand Japanese. 791 01:33:59,060 --> 01:34:01,100 It's a whole aisle of lime trees. 792 01:34:01,260 --> 01:34:02,340 Yes. 793 01:34:04,300 --> 01:34:07,500 We are just in the right period to take advantage of it. 794 01:34:07,620 --> 01:34:09,940 There used to be elm trees here. 795 01:34:10,060 --> 01:34:11,580 But they are all dead. 796 01:34:13,540 --> 01:34:15,900 It's their soul that we smell in the lime tree. 797 01:34:16,060 --> 01:34:17,780 Your thinking becomes bold. 798 01:34:19,340 --> 01:34:21,260 I find links between things. 799 01:34:21,420 --> 01:34:23,500 In principle, this is the goal of thought. 800 01:34:26,300 --> 01:34:29,860 A drum in a dream who becomes a child, 801 01:34:30,020 --> 01:34:32,300 it must look like with the smell of lime trees. 802 01:34:33,780 --> 01:34:35,380 It's the same music. 803 01:34:35,540 --> 01:34:37,340 Music is a reference, for you. 804 01:34:39,340 --> 01:34:41,340 My new girlfriend is a singer. 805 01:34:41,820 --> 01:34:44,140 We could have found him a place for this evening. 806 01:34:46,580 --> 01:34:47,820 She's on tour. 807 01:34:48,620 --> 01:34:50,100 When is she coming back? 808 01:34:51,660 --> 01:34:53,540 Tomorrow, Saturday. 809 01:34:53,700 --> 01:34:55,340 See you in the afternoon. 810 01:34:55,860 --> 01:34:57,660 Will you introduce it to me? 811 01:34:58,220 --> 01:34:59,380 Of course. 812 01:35:01,260 --> 01:35:02,900 It looks like you're going much better. 813 01:35:04,780 --> 01:35:06,300 Yes, I'm doing very well. 814 01:35:52,700 --> 01:35:53,620 Yes ? 815 01:35:55,380 --> 01:35:56,740 I'm looking for someone. 816 01:35:58,580 --> 01:35:59,820 Who ? 817 01:36:01,460 --> 01:36:03,420 I allowed myself to come on Saturday... 818 01:36:03,620 --> 01:36:04,980 Who are you looking for? 819 01:36:07,740 --> 01:36:09,740 Sarah Dacruon. 820 01:36:15,180 --> 01:36:16,300 Who are you ? 821 01:36:16,900 --> 01:36:18,180 She doesn't know me. 822 01:36:21,780 --> 01:36:22,940 She's not here. 823 01:36:23,660 --> 01:36:25,260 When will I be able to see her? 824 01:36:25,940 --> 01:36:27,380 I have to talk to him. 825 01:36:27,780 --> 01:36:29,380 You will not be able to talk to him. 826 01:36:29,580 --> 01:36:30,780 But why? 827 01:36:36,180 --> 01:36:37,380 She is dead. 828 01:36:47,940 --> 01:36:49,220 Who are you ? 829 01:36:49,900 --> 01:36:51,060 A friend. 830 01:36:51,980 --> 01:36:54,620 You told me that she didn't know you. 831 01:36:55,380 --> 01:36:56,460 Yes. 832 01:36:57,340 --> 01:36:58,780 But I am a friend. 833 01:37:05,380 --> 01:37:06,620 Enter. 834 01:37:17,220 --> 01:37:18,860 Apparently, from the Pont des Arts. 835 01:37:22,060 --> 01:37:24,340 This is where we found his business. 836 01:37:25,340 --> 01:37:26,460 Downstream. 837 01:37:27,220 --> 01:37:28,700 Near the right bank. 838 01:37:30,940 --> 01:37:32,580 Next to the second street light. 839 01:37:35,380 --> 01:37:36,980 There were no witnesses. 840 01:37:38,900 --> 01:37:40,460 Did she leave you a word? 841 01:37:41,820 --> 01:37:43,140 No, nothing. 842 01:37:44,900 --> 01:37:45,980 Nothing. 843 01:37:48,420 --> 01:37:51,540 It was following a rehearsal which had gone badly. 844 01:37:53,220 --> 01:37:54,780 With the Unnamable... 845 01:37:55,900 --> 01:37:57,140 its leader. 846 01:37:57,940 --> 01:37:59,420 The guy from the record? 847 01:37:59,620 --> 01:38:00,820 Yes. 848 01:38:03,660 --> 01:38:05,500 She called him “the Unnamable.” 849 01:38:08,740 --> 01:38:10,980 We don't kill each other because of a repetition. 850 01:38:13,260 --> 01:38:15,420 We can kill ourselves for almost nothing. 851 01:38:17,220 --> 01:38:19,620 But it's always a very important thing. 852 01:38:22,260 --> 01:38:25,140 When she sang, you could hear the sadness in her. 853 01:38:26,140 --> 01:38:27,940 We hear life that there is in it. 854 01:38:29,180 --> 01:38:30,420 We could hear it. 855 01:38:31,740 --> 01:38:33,820 Life is always in the present. 856 01:38:34,940 --> 01:38:35,980 Yes... 857 01:38:40,940 --> 01:38:42,980 Do you want to see his photo? 858 01:38:46,380 --> 01:38:47,420 No. 859 01:38:47,580 --> 01:38:49,020 I don't prefer it. 860 01:38:50,420 --> 01:38:51,860 Come. 861 01:38:52,020 --> 01:38:54,060 I will show you something else. 862 01:39:05,780 --> 01:39:07,380 These are his scores. 863 01:39:08,980 --> 01:39:10,900 The ones we found on the bridge. 864 01:39:19,740 --> 01:39:21,580 The music alone falls silent. 865 01:39:26,140 --> 01:39:28,460 She needs to pass by a human life. 866 01:39:31,340 --> 01:39:32,460 When life ends, 867 01:39:33,220 --> 01:39:34,740 It’s the silence that resumes. 868 01:39:36,220 --> 01:39:37,340 No. 869 01:39:38,420 --> 01:39:39,740 The music stays. 870 01:39:41,020 --> 01:39:42,580 Where is Sarah's music? 871 01:39:44,340 --> 01:39:45,540 In us. 872 01:39:48,220 --> 01:39:49,220 Yes. 873 01:39:50,020 --> 01:39:51,380 His music is in us. 874 01:39:58,780 --> 01:40:00,020 I have to go. 875 01:40:02,620 --> 01:40:04,580 It did me good, to talk to you. 876 01:40:15,500 --> 01:40:16,940 The light is on the right. 877 01:40:20,780 --> 01:40:21,940 Bye. 878 01:40:22,740 --> 01:40:23,900 Bye. 879 01:44:27,260 --> 01:44:29,300 You are so kind. 880 01:44:29,420 --> 01:44:30,860 Don't bother. 881 01:44:30,980 --> 01:44:33,060 I'm going to move there on my own. 882 01:45:05,340 --> 01:45:06,580 Good morning. 883 01:45:08,540 --> 01:45:10,420 Do you like Frescobaldi? 884 01:45:11,540 --> 01:45:13,100 Is that what you were playing? 885 01:45:13,700 --> 01:45:14,940 Yes. 886 01:45:15,700 --> 01:45:17,300 I don't know. 887 01:45:18,100 --> 01:45:21,220 But do we know each other? 888 01:45:21,780 --> 01:45:22,820 No. 889 01:45:24,340 --> 01:45:26,300 I was curious to see you. 890 01:45:28,540 --> 01:45:29,820 I blush. 891 01:45:31,620 --> 01:45:33,180 I'm a friend of Sarah's. 892 01:45:40,100 --> 01:45:41,140 Poor Sarah. 893 01:45:41,260 --> 01:45:43,020 What a loss for his friends. 894 01:45:43,700 --> 01:45:45,260 Do you have friends? 895 01:45:45,980 --> 01:45:47,540 Obviously. 896 01:45:48,260 --> 01:45:49,660 So much the better. 897 01:45:50,220 --> 01:45:53,180 To begin with, all people who love music. 898 01:45:53,820 --> 01:45:56,820 I find that you don't know much about it. 899 01:46:02,660 --> 01:46:04,220 Do you know who I am? 900 01:46:04,860 --> 01:46:06,220 I have a record of you. 901 01:46:06,580 --> 01:46:08,140 Everyone has one. 902 01:46:08,540 --> 01:46:10,060 The one where Sarah sings. 903 01:46:12,820 --> 01:46:14,060 But then... 904 01:46:16,420 --> 01:46:18,300 You don't play as she sings. 905 01:46:19,820 --> 01:46:21,180 What do you know about it? 906 01:46:22,140 --> 01:46:24,380 Your music makes no sense. 907 01:46:24,940 --> 01:46:27,380 Music never makes sense, my duck. 908 01:46:27,540 --> 01:46:29,020 I think so. 909 01:46:29,420 --> 01:46:31,340 You're not used to it to listen to it. 910 01:46:31,540 --> 01:46:32,500 Yes. 911 01:46:33,260 --> 01:46:34,980 I listen to rock music. 912 01:46:35,380 --> 01:46:38,700 What I was playing, my rabbit, it was baroque music. 913 01:46:38,860 --> 01:46:40,700 I go to a rock bar 914 01:46:40,820 --> 01:46:42,820 where there is a brilliant percussionist. 915 01:46:43,020 --> 01:46:45,820 I don't type on a drum, my dear. 916 01:46:46,020 --> 01:46:48,980 If you did, it would not make any sound. 917 01:46:49,380 --> 01:46:50,620 And why? 918 01:46:51,980 --> 01:46:53,740 Because we can't name you. 919 01:46:55,220 --> 01:46:56,540 There you are delirious. 920 01:46:56,700 --> 01:46:59,940 I am a musician and music is always very clear. 921 01:47:01,140 --> 01:47:03,740 Before being a musician, you have to be a man. 922 01:47:03,860 --> 01:47:05,260 Or a woman. 923 01:47:05,500 --> 01:47:07,940 Am I both at the same time? 924 01:47:08,940 --> 01:47:10,620 Maybe neither. 925 01:47:11,980 --> 01:47:13,740 Do you want to see my cock? 926 01:47:14,540 --> 01:47:17,260 She is undoubtedly exactly as it should be. 927 01:47:17,420 --> 01:47:21,100 Otherwise you would have it replaced. by another plastic one. 928 01:47:22,180 --> 01:47:24,540 But you will miss him always something. 929 01:47:25,140 --> 01:47:26,980 What, my love? 930 01:47:27,540 --> 01:47:31,140 I thought you were the Unspeakable for your wickedness. 931 01:47:32,700 --> 01:47:34,460 It's because you don't have a name. 932 01:48:44,140 --> 01:48:46,140 You stopped because of me? 933 01:48:47,180 --> 01:48:50,060 Maybe it was because of you that I started. 934 01:48:51,340 --> 01:48:53,100 In what language did you sing? 935 01:48:53,700 --> 01:48:54,980 In Kurdish. 936 01:48:56,020 --> 01:48:57,660 Where is the language from? 937 01:48:58,300 --> 01:48:59,620 Out of nowhere. 938 01:49:00,780 --> 01:49:03,260 - Yet you speak it. - Yes. 939 01:49:04,380 --> 01:49:06,500 And this night, I sing it. 940 01:49:07,380 --> 01:49:08,540 For what ? 941 01:49:09,860 --> 01:49:12,140 Maybe so that someone hears it. 942 01:49:14,020 --> 01:49:15,940 You're the one who heard it. 943 01:49:16,900 --> 01:49:18,340 It's a coincidence. 944 01:49:19,140 --> 01:49:20,420 Do you believe? 945 01:49:22,420 --> 01:49:24,140 Why are you going through this? 946 01:49:26,300 --> 01:49:27,540 I'm looking. 947 01:49:28,580 --> 01:49:29,660 What ? 948 01:49:34,100 --> 01:49:34,940 I don't know. 949 01:49:35,140 --> 01:49:36,260 Yes. 950 01:49:38,740 --> 01:49:40,700 I'm looking for someone. 951 01:49:43,300 --> 01:49:44,380 Who ? 952 01:49:46,100 --> 01:49:47,980 A woman who sings. 953 01:49:48,140 --> 01:49:49,580 Her name is Sarah. 954 01:49:52,100 --> 01:49:54,300 I'm not the one that you are looking for. 955 01:49:55,900 --> 01:49:59,300 But I sang in my language for someone to hear. 956 01:49:59,420 --> 01:50:01,500 And it was you who heard it. 957 01:50:02,700 --> 01:50:04,780 This must make sense. 958 01:50:05,740 --> 01:50:07,420 I'm going to go now. 959 01:50:09,140 --> 01:50:10,940 Yes, go ahead. 960 01:50:12,700 --> 01:50:14,500 It's the shortest night. 961 01:50:15,860 --> 01:50:17,140 Yes. 962 01:51:14,860 --> 01:51:16,860 I didn't think you were coming. 963 01:51:18,300 --> 01:51:20,100 Yet, you were waiting for me. 964 01:51:20,780 --> 01:51:22,380 I wasn't expecting you. 965 01:51:23,300 --> 01:51:24,580 I was looking for you. 966 01:51:25,620 --> 01:51:27,300 To seek is to wait. 967 01:51:28,740 --> 01:51:30,420 I was looking for you everywhere. 968 01:51:31,140 --> 01:51:32,740 You found me here. 969 01:51:33,860 --> 01:51:35,380 Why here? 970 01:51:35,740 --> 01:51:37,540 You're the one who knows. 971 01:51:38,060 --> 01:51:39,580 Why are we separated? 972 01:51:40,140 --> 01:51:42,020 Here we are together. 973 01:51:42,860 --> 01:51:43,940 Sarah. 974 01:51:45,300 --> 01:51:47,020 Through you, I am Sarah. 975 01:51:47,140 --> 01:51:49,580 It's you who heard the laughter in my voice. 976 01:51:51,300 --> 01:51:52,860 I love you, Sarah. 977 01:51:54,340 --> 01:51:56,300 I love you too, Pascal. 978 01:51:57,860 --> 01:52:00,100 Is there no place for love? 979 01:52:00,780 --> 01:52:03,100 Yes, here. 980 01:52:05,140 --> 01:52:07,300 No places of love in the world? 981 01:52:08,340 --> 01:52:10,260 We are there now. 982 01:52:11,660 --> 01:52:13,580 We loved each other formerly. 983 01:52:14,620 --> 01:52:16,420 No, it was now. 984 01:52:17,340 --> 01:52:18,740 We loved each other elsewhere. 985 01:52:19,980 --> 01:52:21,660 No, it was here. 986 01:52:24,420 --> 01:52:25,740 My memory, 987 01:52:26,900 --> 01:52:28,460 So it’s nothing real? 988 01:52:28,980 --> 01:52:29,860 Yes. 989 01:52:30,020 --> 01:52:32,140 That's what we heard. 990 01:52:32,740 --> 01:52:33,540 Music? 991 01:52:33,900 --> 01:52:35,020 Yes. 992 01:52:36,300 --> 01:52:37,180 Nothing real? 993 01:52:37,700 --> 01:52:38,700 If. 994 01:52:40,860 --> 01:52:41,860 Music, what is it? 995 01:52:42,980 --> 01:52:45,260 It's you who made me understand it. 996 01:52:46,420 --> 01:52:47,980 It is born in silence. 997 01:52:49,020 --> 01:52:50,660 She dies in silence. 998 01:52:51,660 --> 01:52:55,580 Between these two silences, we knew each other, loved each other. 999 01:52:55,740 --> 01:52:57,460 This is our reality. 1000 01:52:59,060 --> 01:53:02,020 Reality says I'm alive and you are dead. 1001 01:53:03,060 --> 01:53:05,260 That I am here and you are somewhere else. 1002 01:53:06,620 --> 01:53:08,860 That there is a river between us. 1003 01:53:09,340 --> 01:53:10,740 No, not reality. 1004 01:53:10,940 --> 01:53:13,660 That's what it says the intelligence of men. 1005 01:53:14,140 --> 01:53:16,300 Isn't it what's more real? 1006 01:53:16,900 --> 01:53:18,020 You know not. 1007 01:53:18,220 --> 01:53:20,460 The intelligence of men is deaf. 1008 01:53:21,780 --> 01:53:23,300 I would like to touch you, 1009 01:53:24,620 --> 01:53:25,980 hold you against me. 1010 01:53:26,660 --> 01:53:28,300 Nothing separates us. 1011 01:53:29,740 --> 01:53:31,020 I would like to kiss you. 1012 01:53:31,900 --> 01:53:33,260 Here you touched me, 1013 01:53:33,420 --> 01:53:36,100 you held me close to you, you kissed me. 1014 01:53:38,300 --> 01:53:40,100 I would like to know reality. 1015 01:53:40,660 --> 01:53:42,140 She is here. 1016 01:53:43,140 --> 01:53:44,980 I would like to know your reality. 1017 01:53:46,580 --> 01:53:48,580 Nothing separates us anymore. 1018 01:53:58,580 --> 01:54:00,860 I want to do with you a single body. 1019 01:54:05,700 --> 01:54:08,580 We are one body in the light. 1020 02:00:59,940 --> 02:01:02,940 Adaptation: Sarah Dutein for Eclair Group